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Letters may be edited and condensed. Please e-mail comments to LAMletters asla. We have been supporting nature since Our modular system of trellis panels with mounting attachments can be used to create green facades that blend seamlessly with the building envelope. Call As such, it provides ample opportunities for collaboration and commingling, including a central atrium space and shared studios for architecture and landscape students, which excites McGirr. The Students and faculty pushed for an innovative 87,square-foot Design Building, designed landscape that represented contemporary ideas.

Its floors were covered in gray vinyl, and the building, originally built in the s at the edge of the University of Massachusetts Amherst campus, had long been known to have poor air quality. The landscape, to boot, was mostly turf. This patent-pending freestanding rotating climber packs in plenty of fun—climbing, turning, running, gathering and socializing. Kids of all abilities will appreciate this energetic ride.

So you can focus on the fun! Bring a whole realm of activity to your playground. Learn more at playlsi. The result, designed by Stephen Stimson Associates, is a reinterpretation of the Connecticut River Valley landscape, with native bluestone monoliths and indigenous trees and ferns. Woven in are large stormwater gardens that visibly collect and treat runoff from the roof and the adjacent parking lot, which was regraded to direct runoff to the new landscape.

The roof features mosses, evergreens, and ground covers like lowbush blueberry, planted in soils ranging from three to 18 inches deep. It is unabashedly an experiment—one that students and faculty will be monitoring. But according to a study conducted by Christopher Riley, an ecologist at the Ohio State University, the typical suburban yard provides few of the ecosystem services that we have come to associate with green space. He has long advocated for spontaneous vegetation, those plants that grow unasked for, because few native tree species are adapted to urban landscapes.

For spontaneous vegetation, the cost is zero. Riley analyzed the level of ecosystem services provided by trees in three types of landscapes: suburban residential, urban residential, and urban vacant lots. He found that vacant lots provided more shade, removed more pollutants, and held on to more stormwater than their manicured Riley says the study suggests that landscape desuburban counterparts.

The study signs that boost the amount of vegetation at a site, did not address benefits to wildlife. Marketed as CoolSeal, the light gray-colored asphalt seal coat was developed to reduce the surface temperature of runways so that they would be less visible to infrared satellites. A few years ago, Greg Spotts, the assistant director of the City of Los Angeles Bureau of Street Services, wondered what would happen if you painted every street in the city with CoolSeal.

But he also wonders whether or not there might be urban side effects, such as a decrease in the visibility of road striping, or troublesome glare. The biggest question may be to what extent a local reduction in temperatures helps the world at large. In other words, these coatings could have a net-negative environmental impact. Right now, a standard asphalt the afternoon on the hottest days, the surface tem- street in Los Angeles gets something called a slurry seal, a perature of the coated pavement is, on average, 10 three-eighths-inch rubberized coating that seals it from water degrees Fahrenheit cooler than the uncoated pave- intrusion, Spotts says.

Fountains can add a peaceful ambiance with falling water or dramatic streaming effect to any amenity space. Find out how easy it is to add a splash to your next project at tournesolsiteworks. Green stormwater infrastructure like that at the Pabst brewery in Milwaukee was the focus of a statewide audit of municipal codes.

The audit is based on a unique process designed for Friends of Wisconsin, a nonprofit environmental group, by Kate Morgan. Morgan says an audit can be more effective than adopting a model ordinance, a regulatory template used by cities to write new regulation. WauAs part of the audit, municipal teams watosa was the first community in answered questions about architec- the MMSD pilot project to integrate tural design standards, construction, green infrastructure development landscaping, parking, site planning, into its tax-increment-financing stormwater and public works stan- policies, providing better financing dards, and public education.

The opportunities to those projects that questions were designed to guide include green infrastructure. And a them through the often dark, deep, and ancient woods of municipal code with a specific light on green infrastructure. The results have helped MMSD communities identify and remove complex code barriers, and provide a map of how Wisconsin can more efficiently implement green infra-. For communities where plenty of open space is still available and local politicians have been reluctant to require green infrastructure, these new codes will be helpful when state or municipal regulation makes green infrastructure imperative, says Jeff Nettesheim, the director of utilities in Menomonee Falls in Waukesha County.

For his county, he sees that imperative coming in the form of total maximum daily loading restrictions on pollutants in the water from the Wisconsin Department of Natural Resources. When those restrictions take effect, Nettesheim says, the audit workbook will provide a road map forward.

College and corporate campuses, sports complexes, waterfront developments, and national memorials to world-class resorts, entertainment complexes, private residences, and more. Infrastructure for us is a very, very human story. The Cube L Redefine playground as art!

The conference gathered more than 1, designers, thinkers, and municipal leaders working on urban infrastructure to present projects and discuss their influence. But Bos, like an increasing number of landscape architects and other designers, sees their potential— and their need—to be much more. Describing do. In addition to a reinforced concrete security wall, which burrows six feet into the ground and surrounds the entire site, a foot-long black granite wall has gone beyond conceptual artifact to some pleasantly surprising functions.

Food trucks have figured it out. It has become a pop-up place. And it is a place where American democracy is celebrated. HDC hired Being Here to find the answer. Her father used a wheelchair from age 11 until he died in his late 30s.

Byles, who is also a writer, joined in They were also delighted to find sophisticated and useful precedents for ways to preserve historic streetscapes and meet ADA requirements. The roughest, most irregular Belgian blocks will be reset in the roadway, while the smoothest, most For Williams, it was a topic of particu- regular blocks will be reserved for lar interest.

Elsewhere in the city, a type of granite paver called Tumblestone is being used to re-create the appearance of historic Belgian block. Any municipality with areas of historic paving will face similar questions, and the intention is that this study can help. They are public rights-ofway, susceptible to utility upgrades and required by law to meet accessibility standards.

Within 15 minutes, any landscape architect can learn to create images and videos. Render stunning images in seconds rather than hours. Try Lumion for free. Go to Lumion. Buy Lumion from October 1st and get a free upgrade to Lumion 8. You have many choices for handling water in your stormwater management plan. So why not make it beautiful as well? Enter ACC2. With a powerful transformer at its core, the new ACC2 delivers advanced irrigation management capabilities. It controls up to 54 stations, with up to six points of connection, and the power to run 14 solenoids at a time.

ACC2 optimizes pump performance, protects mainlines, minimizes watering windows, and continually monitors the system for breaks and leaks, providing station-level diagnostics when necessary. Simply put, the ACC2 provides the most irrigation in the least time at the safest velocity. Visit hunterindustries. Fermob brings people together and when people are connected, good things happen. Experience the warmth of gathering and the joy of living with Fermob.

The tightly spaced stucco homes are kept tidy and look like any other suburb save for the cowboy and rodeo iconography on front shutters, driveway gates, and iron entryways: Pellissier Village is horse country. Hooves rhythmically knock along the quiet streets. At the tip of Pellissier Road, the blacktop dead-ends and gives way to the rough edge of the Rio Hondo river — an offshoot of the larger San Gabriel River that connects to the park, and which is used here as a recharge area for the local watershed.

A dusted-up, foot-wide path currently serves as. Dake and his firm DakeLuna Consultants he is principal there along This interview has been edited and with Miguel Luna are completing condensed. The project will signature category [laughs]. If we were be built by the L. But actually, and. The Metropolitan Water District of Southern California includes representatives from 26 public agencies. It could be the electResilient?

It could be Yes, resilient. That could be the signa- a whole set of people, especially ture. We simplify. But I think the time issue. I think of people who have has gotten to be really insufferable for been really successful in practice like the regular participants. River, and our tiny little gonna change the world by doing part of it is going to take a generation these three things. But we have our feel-good moments. I know you have personal background in other community orgaCan you talk about the many different nizing and local initiatives.

In that agencies and groups you work with to sense, you bring something different achieve those resilient results? Sometimes the amount of distance between the speaker and the decision maker creates shrillness. And you have to disappoint. They appreciate that. I have done that many times, and people appreciate the honesty.

Tell me a little bit about the work you do privately. I volunteer on a lot of committees. In the late s, I helped start the Echo Park Community Garden, and I had positive experiences meeting my neighbors. I worked my precinct for a guy who ran for city council. Knocking on all those doors really revealed to me there are many more different kinds of people in my precinct than I thought there were.

I was the only person who knew how irrigation worked, so I put in the water lines, and it went smoothly thereafter. Through the process, I met other people who are part of the environmental movement: the water quality people, air quality people. I worked on a lot of those bond-measure campaigns in California in the late s because those allowed us to establish parks for our neighborhood from state bonds.

Neighborhood Land Trust, which helps neighborhoods maintain their gardens. In the city of L. But we thought if we could just organize the neighbors to open and close the gate and pick up the trash and really watch over it, it would re-. With the Land Trust, we had to do that community organizing to convince the neighbors to watch and make sure they do the work.

But the Met has for a very long time had an institutional approach to asking 19 million people in Southern California to reduce their water consumption. My time there has been to ask them to develop better data about what people are actually thinking. To have the public agency make the example is a huge, huge mind-changer. The day came when this nonprofit that I was a part of, the L.

But that was an important disappointment. I learned a lot about our public processes from that experience. I joined the board of the L. League of Conservation Voters, which endorses candidates in L. County running for municipal races and interviews the candidates about their environmental platforms.

Getting to know how all these small cities and little water districts operate was important to see—and really exciting. Designed by Andrea Cochran Find us at landscapeforms. The museum fits compactly into the space of a historic neighborhood church and the tightly bounded urban churchyard.

They are a commitment to our shared future. What can we create if we work together? The hydra would become a metaphor, in the s, for the multiple insurgencies of piracy, mutiny, and slave rebellion faced by the British Empire in the early days of globalization.

The bronze cladding echoes the scaling bark of the vast London plane trees that ring the museum, and some of the apparent lightness of the structure may be attributed to the fact that it had to be built without foundations, due to the roughly 20, bodies that have been interred in the churchyard since before the Norman Conquest.

The museum, in fact, is full of such reminders, and the English garden in modernity—since the s—is itself a record, not just of a love of beauty, nature, and design, but of a violent history of conquest. Dan Pearson is a celebrated British plant designer and horticulturist whose practice employs a number of land-. One wonders if the roots of the plantings mingle with bones. Plantings have an Anglo—Dutch sensibility, arising from the continuing conversation between British designers such as Pearson and the powerful influence from the Netherlands, particularly Piet Oudolf.

It was saved by the efforts of garden enthusiasts Rosemary and John Nicholson, who were drawn to the place because of its association with the great 17thcentury plant hunters and naturalists John Tradescant the Elder and his son the Younger , who are both buried in the churchyard, alongside William Bligh, himself a plant hunter, and whose ship, the Bounty, uncomfortably crammed full of potted breadfruit plants, was the site of a famous mutiny.

Everywhere plant forms are celebrated. There is no distracting variegation, so one is given the luxury, for example, to contemplate just what a softly unearthly hue of green is Melianthus major, or just how starkly alert the stems of Equisetum are. Plantings are in succinct drifts—just large enough for an appreciation of the massing, but not so much as to become a monoculture.

Plant forms are accentuated by these tight groupings. Plant heights are seemingly random, but the courtyard is small enough that low spots frame vistas punched through. All these rooms have clean, elegant glazed walls facing the courtyard. One dines amid the plants. At the main entry to the museum, the old church door, is another garden by created by the minimalist designer Christopher Bradley-Hole.

When I visited in August, the garden was incomplete, with gravel where there will soon be Croatian limestone. The space is formed by two elongated lozenges, edged round with waist-high clipped yew hedges. The outline of the space is traced out with bright LED strips at the base of the hedge. The design drawing the lighted outline of the garden to display is limited, but there is much the museum interior, where strip else to delight garden enthusiasts. As in the courtyard, where the autumn there will be one dedicated building must not intrude upon the to Repton , and opposite, where the historic remains, the museum is a altar once stood, is now a small room freestanding installation within the with an idiosyncratic miscellany on old church structure that must not display called the Ark Gallery.

It is touch the walls. Some was originally composed of vintage of the items are on loan from the tools, which over the years expanded Ashmolean Museum in Oxford, and to include garden ephemera. There include such items as a Native Ameris now an archive which includes the ican ball club, elk skulls, a statue. The miscellany might seem random, but it helps to see how the garden was viewed as a collection, or a naturalist study by the Tradescants rather than primarily as a designed or aesthetic space.

Standing in the Ark next to a portrait of Tradescant the Elder with some of his collection of exotic seashells, I ask Woodward whether the museum will have international appeal. What better place to contemplate the cosmopolitan nature of the garden, and the darker side of conquest, than a museum at the heart of a former empire.

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The representative spoke hurriedly, Phillips says, and he struggled to follow at first. They needed help with a project to restore land that had been mined for tin in Indonesia. And it had something to do with pineapples, dragon fruit, and an extremely tiny primate. By the end of the conversation, she offered Phillips a job with the company. He declined. Virtually every electronics product in the world uses tin solder for its circuits, and 30 percent of that tin comes from Indonesia, mostly from Phillips knew nothing about tin deposits in the ancient riverbeds that mining landscapes, nor what was run across Bangka and Belitung Isinvolved in rehabilitating them.

But lands, palm-studded paradises a few. Vegetation loss in upstream mining areas may be partly to blame. An estimated 30 percent to 40 percent of the population on Bangka is employed in the industry. Large mining companies denude vast tracts of land to dredge tin ore from the sandy granitic soil using industrial equipment.

These companies are legally responsible for restoring the landscape after they are done mining. But in practice, restoration efforts are meager at best, and government enforcement is lax. This is complicated by the 50, or so artisanal miners—laborers who illegally enter abandoned mine sites to sift for remaining bits of tin with rudimentary equipment, undermining any attempts at reforestation.

Child labor is rampant, as is death by landslide or drowning. According to a article in the Guardian, an estimated to artisanal miners die annually on the job. Now when you fly in, all you see is exposed white sand on the land and muddy water extending miles out from the shore. The rivers, and the estuaries they feed, are all brown; the mangroves and coral reefs are smothered Flying over Bangka Island, where by sediment. Loss miners has been known for decades. At this encampment of artisanal miners, Phillips asked one how much he made in a month.

In , 14 of the biggest electronics companies, Apple included, formed the Tin Working Group, a partnership housed under the umbrella of the Electronic Industry Citizenship Coalition EICC , a nonprofit that monitors ethical supply chain management for electronicsbased industries. The Tin Working Group has considered audits and incentive mechanisms to nudge the local ac-.

Enter the pineapple. Farming—based around agroforestry plantings designed as much to restore local ecosystems as to yield cash crops—seemed the only feasible solution. If the produce could be marketed through fair trade or organic channels, the premium price might help make the whole affair more economically sustainable.

Apple declined my requests for an interview, though Michele Bruelhart, a tin industry expert at the EICC, shared her view on the conundrum of sustainable smartphones. The conceptual plan, completed in late , calls for smoothing out the random piles of soil and dredging pits that typify tin mining sites into broad planting terraces threaded with constructed wetlands to filter runoff. Half the site is slated for agriculture and half for reforestation with native species, which may also be managed for timber, honey, and other goods.

Phillips used this image of a former tin mining site to help plan reclamation work, as topographic maps of the area were not available. The plan calls for eight tons of compost to be tilled into every acre to jump-start biological activity in the soil, though the initial plantings have been chosen for crops known to thrive in infertile conditions. Toxic chemicals are ing ecological functions and rapidly not used to extract tin as with other building soil.

With the help of a U. However, the naturally acidic soils and groundwater in the region, made more acidic by the removal of topsoil at the mining sites, are a recipe for mobilizing heavy metals, which may then become concentrated in plant and animal tissues.

Although there is evidence of toxic levels of heavy metal contamination at abandoned Bangka mines, negative impacts to human health have not been documented. Still, out of an abundance of caution, Phillips says the plan is to start with nonfood crops, such as vetiver, citronella, and palm varieties that produce coco coir, rather than coconuts, while monitoring soil and groundwater conditions during the first years of the reclamation effort.

Phillips expects the pH to rise as biological activity resumes, with hopes of paving the way for diverse food crops. To further evaluate and soils to be formed the potential for edible crops, Refined into planting terraces. The verdict: Root crops, device to separate the remaining bits of tin such as cassava, risked unsafe levels of heavy metal contamination, but from the sandy soils dragon fruit, pineapple, papaya, and that mining companies have left behind.

Phillips has spent two years navigating the Indonesian bureaucracy, getting to know local practices, and engaging with both the mining companies and the artisanal mining community to earn their trust and understand their needs.

He hired Telapak, an Indonesian nongovernmental organization headed. Phillips records observations and design ideas on his phone during a site visit to collect soil and water quality data. Customs and Border Protection, among others. The challenge, Unggul says, is for well-meaning foreign interests to get past buzzy sustainability speak, which means nothing to someone whose only way to feed his family involves sitting in a mud pit 12 hours a day sifting for tin.

The miners need to see an alternative that will replace their current income without missing a beat—spending months to build up a new farming business is not an option. The Dancer is a balancing game and marble labyrinth for developing coordination and concentration skills. Stand on it or manipulate it with your hands to make the ball go around and around. Choose from three labyrinth designs. Visit us at booth to say hi and for more details. Discover why Kichler has been the industry standard in LED landscape lighting for more than 25 years.

All-weather performance Integrated solid-state drivers are fully potted and sealed to resist moisture. On the light engine and electrical components. Warranty subject to change without notice. Visit www. Here and elsewhere in her work, Burton harnesses key principles from her experiences and artistic influences. She uses the borrowed views of the Topatopa Mountains to the north and the architecture of people-centered spaces through the creation of rooms.

And to connect these elements, she employs intricately composed layers so subtle that it takes some time before they become evident. Burton says it was done by Jane Wells, a friend whose garden she designed, explaining that each band of color represents different parts of the landscape. Natural-looking play events like boulders, tree stumps, and wooden bridges combine with sleek metal and rope climbers to create a bold fusion that beckons adventurers.

Place it in an urban or rural environment for a play space that brings out the best of both worlds. Between her undergraduate and graduate degrees, Burton took time off to travel around Japan, where she was met with the subtle complexities of Japanese landscape design. She says that the Japanese were the original modspectacular views all around. After she returned, Burton worked at the legendary Ace Gallery in Los.

Her home in the Ojai Valley is one example of her approach. It is where, for 30 years, she has been experimenting with both design and plants. She says the property has been a defining element in her growth as a designer. It is where her s stone farmhouse is gently hugged by rolling mountains and a patchwork of orange groves. This combination of aesthetics and utility is an important part of her designs, and one with historical reach back to William Morris and the English Arts and Crafts movement.

Angeles, where she met many contemporary artists. She enrolled in graduate school at the University of California, Los Angeles UCLA for architecture and graduated in , saying that if she wanted to do landscape, she had to know architecture. This she combined with her horticultural interests from an undergraduate degree in environmental design, also from UCLA. Learn more at treegrate. Each part of the garden is set aside for a different purpose, whether it be for art, solitude, gardening, or relaxation.

She has designed and redesigned the landscape to fit the changing needs and desires of her clients. A modern house sits at the top of a fourtiered garden that constitutes a 30foot change in grade, with a stone staircase cutting down the middle to help separate the site into different rooms.

Citing the Sissinghurst Castle Gardens as a big influence, Burton says she designed this stone walkway with tall hedges on both sides that intermittently reveal views of uniquely individual spaces. Looking back toward the house reveals the climb in elevation, dramatized by a carefully layered tapestry of trees, shrubs, and ground. The garden tiers help navigate the elevation change; tall hedgerows line the main path to conceal and reveal views; the vegetable garden allows for quiet contemplation.

Also referred to as the western sycamore or California plane tree, the California sycamore is native to a stretch along the Pacific coast down to Mexico. It can grow up to feet in height and is adaptable to a wide range of site conditions. The fast-growing peppertree is an evergreen native to the Andes in Peru.

At maturity, the canopy can reach 30 feet wide and 50 feet high. The tree is considered an invasive in some regions as it is long lived and highly drought tolerant. The olive tree is a classic element in the drought-tolerant, Mediterranean planting scheme. Burton favors the fruiting variety in her work; however, there are many cultivars to choose from, including fruitless variants.

Native to the Pacific coast of California west of the Sierra Nevadas, the California live oak is evergreen and thrives in the mild winters of the coastal environment. Its acorns are annual, and it is extremely susceptible to the pathogen Phytophthora ramorum. This fast-growing species can reach eight feet high and is drought tolerant.

The purple flower heads are large and are favored by pollinators. It is considered of limited invasiveness by the California Invasive Plant Council. It is a climber with a subtle fragrance. It prefers sheltered locations and can get one to take. The ter percolation, decomposed granite foliage is woolly and is both drought makes an appearance in many of her landscapes.

A hybrid cross between S. It thrives in low water environments and full sun exposure. Of the types of stone available, Burton prefers colors in buff, blue, and canyon tones. Smooth transitions and elegant design come together to create the new sCrest surface-mounted downward sconce luminaire from Holm.

The curvilinear, organic shape and eased square faceplate ensure that the fixture blends perfectly with traditional, modern, or classical architecture, adding a layer of refined style to any space. To learn more, visit holmlighting. Despite the utilitarian connections, the north corner acts as a neighborhood park where the local community comes to work out and play. Construction yielded nearly 30, cubic yards of excess soil, which Burton and her team decided to repurpose on a stretch of grass surrounded by California sycamore.

What was supposed to be a lawn became a grassy mound that gently draws people in to play and relax. Agapanthus praecox ssp. A lushly planted walkway stretches from the northern part of the park southward and features a diverse assortment of California climateadapted plantings, such as the silverleafed princess flower and the lily of the Nile.

While the visitor still has sight lines outward, the space becomes more enclosed and intimate as the layers of plantings build from the ground level upward, bleeding into the landscape and buildings beyond. The steps are wide and shallow enough that they invite the pedestrian upward to explore the curious specimens— as coarsely textured as the coral aloe and as delicate as the New Zealand iris—up close. Burton says that an initial challenge to the redesign was the existing main diagonal entryways that obscured inward visibility.

To open this space and draw people inward, straight avenues were cut into these diagonals, creating three additional entrances. Burton chose different plantings and material colors at each of the seven entryways to help orient visitors and create a distinct identity for each access point. Along the with olive trees. Burton says the owner path is a thick perimeter wall made had asked for a big open lawn, but she from the stone combed from the countered with the idea of less water- site before construction.

Its surface intensive native grasses. Let us move you. The Join Collection is made up of a series of benches and planters that can be configured and customized to fit any need. The benches are available in a variety of colors and materials and sit at the same height as the planters, allowing for a seamless transition in space.

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This combination fire pit and seating measures 10 feet in diameter, and it is made from concrete available in two standard colors or a custom color of choice. The center fire pit can be lit using either natural gas or propane fuel, and the seating can accommodate up to six people.

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His brisk intellectual aplomb, whose charm is its implication that sharing interesting ideas is an enjoyable form of social life, could have been teleported with no change in demeanor from the heady days of John F. This edition has been the architecture critic of the Los Angeles Times since Before moving from New York to L. Times duties, Hawthorne did the same job for Slate. Times uses and meanings of commucolumns drew attention for their nal urban spaces ever since he scope and vigor.

His latest research L. Times building ist are the oft-despised mirrored- one balmy May morning, is also glass behemoths of the s our destination: the Bradbury and s. These days, he tells Building, erected in and me, he frets about the imminent pure steampunk retrofuturism demise of the not especially be- within. He moderates half a dozen forums and panel discussions each year on topics as diverse as Lyft and Airbnb, L. Hockney to the Beach Boys. One of that L. Hawthorne listens during the Third L.

With every line comes station architecture, which is civic architecture. As of now, they comprise just skimpy miles of track in a metropolitan area with a population of 13 million. Thirty years ago, when ment. But no more. Last March, albeit in an election with absurdly low turnout, voters soundly rejected Measure S, an antigrowth initiative that would have put a two-year moratorium on new building projects requiring zoning changes or other waivers of the existing city rules.

For starters, proud sense of civic identity, manit had an extensive and efficient ifested in its ambitious public arpublic-transit network: the Red chitecture. Before single-family Car trolley system, with more homes became L. I lived in when I first came to L. But L. Hawthorne either believes or hopes that the First L. Then it spent two years as a fenced-off eyesore while tell you about their neighbor- everyone bickered about its fate.

Never mind By and large, the inhabitants that it no longer served any practiof Chavez Ravine and Boyle cal function beyond giving local joggers something to jog around Heights were neither. Elderly former residents of Chavez Ravine or Boyle Heights can still. It is or was home to at least one legally protected species: the great blue heron. Things turned quarrelsome fast. Thanks in large part to L. Project began.

My own notes are embarrassing. By the time we talk in June, her side has won. The reservoir was refilled in April, and any plans to alter its function, or nonfunction, are in abeyance. But even in victory, Johnson is one of those people who never gives an inch, right down to her suggestion that park advocates only introduced the race issue to inflame public opinion and generate clickbait.

Having already seen her in action, I gamely try with my first question to reframe the issue as one of affluence, not bigotry. When Johnson took up acting, some powerhouse L. Warsaw, or gelenos would support. Mayer b. Minsk, But before that scenario starts giving L. From the dozens of independent municipalities within Los Angeles County to L. Political gridlock—deriving here from jousting jurisdictions much more than jousting ideologies—. Nobody knows what Gehry will produce. The problem is that he has very little or no political incentive to take bold measures opportunity to change L.

No doubt, he and others would like to see. Los Angeles landscape aside from Metro expansion already has L. In , Frank on a dime, he sometimes frames Gehry was commissioned by the the unusual length of the second Los Angeles River Revitalization term Garcetti won last March— Corporation now River LA to add five and a half years—as a rare the Gehry touch—or H-bomb—.

Star power counts for a lot, landscape. From Rudolph Schindler to Gehry himself, he argues, L. But willy-nilly— planned or unplanned, guided or haphazard—L. But we are all now part of the sausage. A stair through planted slopes takes people from parking areas to the main entrance level of Dodger Stadium.

Known for public spaces like the 1,acre Orange County Great Park and Vista Hermosa Park in an underserved section of Los Angeles, and transformative master plans for infrastructuralized landscapes like the Los Angeles River and the Silver Lake Reservoir, the firm has a serious approach to the needs of Southern California and the services landscape architecture can provide.

For Lehrer, those numbers made the potential impact of good landscape design outweigh any reservations about the troubling history of stadium projects. Park and scheduled to open in , the stadium In L. But despite a long history of problematic and divisive development, the form is beginning to change, moving away from the suburban big box approach and toward a more urban, connected, parklike feel.

It opens out to a preexisting tree-lined space in Exposition Park used by fans for tailgating before games at the adjacent Los Angeles Memorial. Planters and hardscape are to be installed around the tree, which is designed to become a signature gathering space at the main entrance for those not arriving in cars—a group the firm hopes will be significant. This corner of the site was designed to open directly to the sidewalk, opening views of downtown from inside the stadium and, more important, views into the stadium from the corner of the street.

But South Los Angeles is far from urban England. Instead of dense streets of shops and housing, fast food restaurants and parking lots fill the space between the stadium and 16 lanes of Interstate to the east, and state-owned land on two sides of the stadium will remain asphalt lots. Compared to the barren parking lots and dead space that have dominated this section of the park, particularly since the closure and demolition of the L.

Memorial Sports Arena, the public-focused design elements of the new stadium are welcomed. Part of that budget was set aside for a new landscape plan for the acre stadium site. The firm focused the master plan on improving circulation and visitor amenities.

Mexican American neighborhood cleared under the auspices of urban renewal and housing development, Dodger Stadium was an unconventional stadium in its time—a futuristic, almost sculptural marvel of concrete, car-oriented and disconnected from the city. Though that model of detachment would soon dominate stadium design, since the s the pendulum has been swinging back toward a more connected and people-focused approach to siting and designing sports facilities.

After more than 50 years, Dodger Stadium has become an example of what not to do. But as others like it were torn down and replaced, the stadium also gradually became one of the oldest ballparks in Major League Baseball. Now an icon of midcentury modern design, Dodger Stadium needed preservation, but it also needed to adapt. At Dodger Stadium, Smith charged Studio-MLA with turning a stadium surrounded by a desert of asphalt into a pleasant place that could be easily accessed by multiple means of transportation.

The firm focused on expanding the space surrounding the stadium gates, creating new plazas and themed gathering areas in spaces once given fully to car parking. More than trees were added to the grounds or repositioned during construction, including fruit trees. Clearly marked pedestrian walkways were added to connect the stadium to the city sidewalks beyond the parking lots, as were bike racks, drop-off and pickup zones for. The work has been gradual and ongoing since , with more development planned for the future.

A buffer of between 40 and 50 feet now exists around the stadium, replacing parking spaces with plazas, plantings, and areas for fans to gather. A small boy leaned over a bright blue planter and poked at the spiny stem of a crown of thorns Euphorbia milii. Lehrer, admittedly not a sports person, says she has come to appreciate the role sports and sports stadiums can play.

Outside the stadium gates, a bronze plaque installed in honors the original landscape team, led by the landscape architect John T. The populist magnetism of sports stadiums has made them into almost a new type of public space. The Oakland, California-based horticulturist, author, and activist is the go-to expert on home cultivation.

Each plant is an individual. Everybody loves their own produce. Some are tall, some wide, and there are different strains like indica or sativa that range in color—like heirloom tomatoes— from absinthe yellow—green to maroon and deep purple.

To cultivate cannabis for its THC tetrahydrocannabinol and psychoactive properties, only the female plants are grown. The male plants look a bit. Or the news reports of thousands of plants seized and destroyed on illegal grow sites on U. Forest Service land.

In , Californians passed Proposition , permitting the use of medical marijuana. This measure allowed state residents with a medical ID card stating that they have a condition treatable by consumption of cannabis to grow up to six. In , thanks to the passage of Proposition 64 last November, California will join Alaska, Colorado, Maine, Massachusetts, Nevada, Oregon, and Washington, as well as the District of Columbia, in legalizing recreational use.

This means that cultivation will grow across many scales as it hits the mainstream—from the home user to industrial nurseries. And, at the moment, it is up to cities and counties to regulate who grows weed and where. In , the California Department of Food and Agriculture will begin to oversee marijuana cultivation.

The proposition will still allow localities to tax and regulate, but state regulations, licensure, and taxes will be imposed on all retail sales and cultivation. As legalization approaches, industrialized cannabis cultivators are poised to take advantage of the expansion to recreational use with large grow facilities in areas not typically known as marijuana country.

But the impact of the green rush is felt across California, even in unlikely landscapes such as Desert Hot Springs, a suburban community just outside Palm Springs that voted in conditional-use permitting for cultivation on industrial or undeveloped land in But its 9,square-foot state-of-the-art warehouse will soon be trumped by a ,square-foot operation from Cultivation Technologies Inc.

Located on a six-acre plot of land that was once a wrecking yard, the megacampus broke ground in June. But what is the impact on the environment when usage changes from relatively light demands on water and power services to high-tech cultivation? Cultivation Technologies Inc. Most cities and counties across the state regulate energy use as a condition of permitting. As for water, a single marijuana plant consumes on average six gallons per day: Multiply that by.

The cultivator Dan Grace of Dark Heart Nursery explains that growers will generally plant from one half to one plant per square foot of canopy, depending on the utilization of a given warehouse. Officials of Mission Springs Water District, which serves Desert Hot Springs and the Coachella Valley, worry that a booming industry will put a strain on their water infrastructure.

The water is there—sourced from the Mission Creek Subbasin aquifer—but there may not be the means to deliver it. Under the Medical Cannabis Regulation and Safety Act and overseen by the Bureau of Medical Cannabis Regulation, growers will be required in to account for their sources and consumption.

The law addresses the effects of unregulated outdoor grow sites mostly in Northern California , among which are the diversions of streams or creeks that have damaged fish and wildlife habitats. Mourad Gabriel, the executive director and cofounder of the Integral Ecology Research Center IERC , has seen firsthand the devastating effects of trespass growing on state, federal, and tribal lands.

He regularly works with law enforcement to find and eradicate a small fraction of some illegal sites annually discovered on public lands. He explains that the U. Forest Service, Region 5, in Northern California is particularly attractive to the drug trafficking organizations. The area is the size of Connecticut and is monitored by one or two law enforcement officers. Nationwide, most illicit growing activity occurs in California.

In , according to a U. Forest Service agent, Stephen Frick, 1. Seizures elsewhere in the country totaled only a few more hundred thousand. Free water. No regulation. Trespass growers hike into sites some just a mile off a road, others five miles into the wilderness , packing in plants and equipment. They clear native vegetation and use irrigation hoses to divert water.

Whereas medical marijuana growers have strict regulations over the use of pesticides, illegal operations have no such restrictions. Gabriel regularly finds trash and open containers of herbicides, rodenticides, and pesticides scattered across grow plots deep in the woods. The pesticides and rodenticides leach into the ground and pollute waterways. Animals eat the chemicals and then the poison travels through the food chain.

We see them lasting three to four years. The IERC has limited money and muscle to eradicate and remediGabriel and his team track water and ate sites. The remoteness of these soil contamination caused by illegal grow plots and the threat of armed marijuana crops and damage wrought growers mean that trash must be.

As a result, on the 30 to 60 sites the team cleans annually, only a tiny percentage of the natural environment is able to be restored. Gabriel wants to bring more attention to the damage to the environment. Harvests are generally not produced for medical dispensaries. Rather they find their way across state lines for black market sales and consumption.

Meanwhile, farther down the coast, Monterey County government officials are interested in bringing rogue cultivators into the fold. They offered incentives for growers to come forward and become legal by August Row after row of lettuces and strawberries blankets the Pacific bluffs. Plasha Fielding Will, a political consultant and founder of the Monterey County Cannabis Industry Association, says that officials wanted to ensure that Salinas Valley would remain the lettuce capital of the world.

They worried that the more lucrative marijuana crop would take over. One of the most interesting byproducts of the green rush along the Central Coast is cultural. For generations, Japanese and Filipino families operated these old Dutch greenhouses, but as the cut flower business was undercut by imports, their businesses closed. As the cannabis industry beckons, some are benefiting by selling their properties, while others are getting involved in production.

Kogan looks to these farmers for their skills in scaling a business, knowledge of agricultural processes, and ability to reduce labor costs. Yet inside those refurbished greenhouses, high-. With passage of the Medical Cannabis Regulation and Safety Act and adult use, people are more comfortable stepping out into full view in the economy.

Legal cultivation comes with building permits, fire permits, business. Pesticide-laden trespass grows on U. Forest Service land threaten natural habitats and damage the environment. The IERC is on a mission to eradicate them. Years before Dan Grace founded Dark Heart Nursery in with his partner, Sara Ubelhart, he was an activist and spent time in Kentucky working in community gardens. His earliest cannabis grows were the efforts of an informed hobbyist.

Today, Grace runs his nursery out of a 20,squarefoot warehouse, a former food processing plant. Dark Heart specializes in developing premium clones for growers in Northern California. But warehouses are ill suited for agriculture. Humidity is a problem; airconditioning is a problem. And cooling systems just add to already heavy energy loads. Kogan bridles a bit at the need for this kind of constructed opacity, which Gavin Kogan of is paired with security guards and Grupo Flor is betting closed-circuit television cameras.

It his refurbished Dutch greenhouses on harks back to the highly opaque dealCalifornians accepting ings of illegal practices. This like lettuce. Today, the Trump administration is echoing the sentiment of those days. Attorney General Jeff Sessions has threatened to crack down on states that allow medical and recreational use. Although 60 percent of Americans live in an area that permits some legal use, Sessions plans to target marijuana providers.

She hopes that permitting cultivation will put an end to jerry-rigged electrical wiring and other unsafe warehouse conditions. And while Grupo Flor boasts 2. Cultivators favor chain link with green side striping through the links—an identifying tip for those driving through the area.

For Grace, permitting has allowed cultivators to stop hiding. Here in Oakland, we have plenty of shared problems like crime and vandalism in the neighborhood. It took a lot of courage to do that back then. You were always worried you were going to run into a stick-inthe-mud neighbor who would call up the drug enforcement agency.

Real estate prices have more than tripled for green zone warehouses. Concerns remain that better funded entrepreneurs will shut out local business, es-. This spring, the city council approved an equity permit program for cannabis businesses. It aims to prioritize issuing permits to people most affected by the war on drugs as well as residents who were arrested and convicted of cannabis crimes in Oakland over the past 20 years.

Special Agent Frick has seen only steep and steady increases in illegal activity as the state loosens its laws. It does, however, seem to provide new opportunities for industry in areas that need revitalization. Home grower Ed Rosenthal offers some philosophical advice to an uncertain future.

The plants die in a season. As approaches, the cannabis landscape in California promises a host of social, economic, and environmental complexities. Endless rows of cars are parked along its curving streets and in front of 62 three- and four-story barracks-style buildings that step down the steep hill. For Curteesha Cosby, who lives at Potrero, these parked cars are sometimes a refuge of last resort. She says she hears shooting nearly every day.

Her cousin was gunned down in the housing complex a few days before we spoke. But, for the retaliatory violence that often follows shootings. Residents complain of mold and pests in their of working-class San Franciscans in the s apartments. Lately, a cresting fact that 25 percent of residents are unemployed, one third are wave of gentrification has washed over the Potrero disabled, and fewer than half have bank accounts.

By the low Hill area. The vision for Potrero includes a plan to raze and rebuild, adding market-rate housing and a comprehensive landscape plan by GLS Landscape Architecture. It will also use open space as a way to bridge the gulf between longtime residents and the affluent newcomers who will help subsidize the affordable public housing.

Strang hopes that the new arrivals will accept Potrero and its current residents as their neighbors, though current public housing residents are wary that this will actually happen. I could barely mount an offense when she was toying with me and my defense was useless against her true form! Even then, I knew it. My hands were trembling on the chair and my teeth were clenched hard enough to shatter bone. Still, I was up against the most ridiculous and unfair odds I had ever faced, and worse, I already knew I lost once.

I turned my head and she was off the bed and standing behind me. It was very rare for Alicia to smile. It was…serene. It was true, but I still winced at how bluntly she put that. And when I thought about it, I decided that I agreed. It was odd. Actually, I felt a little relieved by her words. Ideas were forming. Thank you for taking pity on your humble servant, your eminence. I raised my arms to display my body. And among beasts, I am considered skinny; Sable was, and still is, very vocal with that opinion.

A strong beast usually has enough fat to prevent visible muscle striations, and, as a result, has sort of a chubby look. I, on the other hand, am cut like a diamond. The former look is considered more attractive on Moatoob. Parum and Neudaiz prefer the latter. Of course, I grew up on Neudaiz so that worked out just fine for me.

Another opinion Sable is always happy to share. This is what a handsome man looks like. Naturally, I had to laugh a little. I settled for putting my pants and shirt on with my nanotransformer, and sat down at my desk without buttoning up my shirt. As I started up my computer and warmed up the hologram projector, Alicia came back out of the closet.

I knew it was there, but inside my home computer, there was the sum total of years of schoolwork, movies, games, and music to sort through. Oh, and porn. So much porn. I had started the design of a particularly good one. Your reactors may not have enough power to perform another true Photon Cascade, but their capacity should do.

For some reason, I thought I had made more progress than what I was looking at, but that was no large problem. I just have to determine how to carve the grooves of the cage. Alice Blade? Lice Cutter? Then, she said it. I guess it sort of worked. Does it have some significance to you? In the story, Alsydeon was her weapon. The task of designing a photon cage is an intricate one which I had described to Alice what seemed like years ago. Still, I had done it so many times, it was relaxing, in spite of the deep calculus involved.

Actually, I think it was doing all that math that soothed me; solving problem after problem with cool precision. What the hell are you talking about, Alicia? You know what I say? I request the title of the chapter be renamed to "the ultimate mulligan.

In other words, somewhere else in the galaxy a group of people glitched and things had to be reset. That or the admins of the galaxy messed up and put the wrong content up with the wrong drop rates. This doesn't have anything to do with Hann at all.

Also, a thing like this doesn't mean he's the only main character. It just means Keiko didn't screw it up as bad. Boss was too tough and they had to bring the galaxy servers down to hotfix it. Trufax: normally, my problem with chapter titles is that I can't think of one. In this case, the problem was picking one.

And I did. I like "The Second Three Days". I can think of a couple others too, namely "Press Start To Continue. Brings a whole new meaning to "system" admin. All right, first off, sweet victory is sweet. That aside, big problem. I was upgrading my video card today and, apparently, I goofed, because now I can't get my computer to boot properly. It's not a big problem I keep my work saved to a thumb drive. However, I don't have a steady computer to work on at the moment, and I have a whole other bunch of headaches to deal with because of it.

What I'm saying is it's going to be some time 'til I write a new chapter. How long, I am unsure. I'll keep you posted. Was it a different brand of card? Did you properly uninstall your previous video drivers before switching cards? Can you still boot to safe mode? Can you see why kids love Cinnamon Toast Crunch?

I went from nVidia to ATI. Apparently, that's a big deal now. After I did it this time, Vista's borked; can't even go to safe mode. It doesn't look like I have any options but to install a new OS, which means I have to buy one, seeing as this computer didn't come with its OEM software on disc. Which means I need to spend money. FirstWorldProblems Kids love cinnamon toast crunch because, and this is a small known fact, General Mills is actually a front for a government project intended to experiment with ways of controlling the population, and cinnamon toast crunch is their biggest success in its unique mix of LSD and sodium pentathol.

The swirls are a chemical concoction, you see. Ah yeah, yeah, that would do it these days. Switching card brands tends to throw the display drivers into a fit which may throw the entire operating system into a fit along with it, Vista.

On the plus side you can see this as a chance to upgrade to Windows 7? Plus, it was 32 bit, so some of the 4 gigs was going to waste anyway. I guess thinking of this as a kick in the pants makes it a silver lining. Still, it's an unexpected expense. Le sigh. Subsisting on ramen was cute when I was 19, but it's just annoying now.

Anywho, you guys don't click on this thread for a livejournal rant. I managed to bang this out on a loaner. It's not my best work then again, what is? The laptop I used has a busted 'H' key so I have to mash it multiple times to get it to register once. It's funny how you don't appreciate how often you use a mere consonant until it's a pain in the ass to use. Chapter Shipper Bait So your incontrovertible evidence is that you failed so hard, that you had to invoke the most ridiculous deus ex machina ever?

Strong argument, Johann. Me, my three days was spent on something a little more boring. Anyway, after I got through giving him his pep talk, I left the house to assume my imperial duties for the day. I had my head filled up with the usual paperwork. That morning, I was primarily concerned with just how Neudaiz was going to fund the upcoming battle. I considered raising the tithing rates, but the people were already sacrificing so much.

I could have just run a deficit, but, eh, even I knew that was an awful idea. So, my morning was consumed by number crunching. Well, okay, more like it was consumed by reading the reports of some geeks whose mornings were consumed by numbering crunching. Me and math never got along. Shut up, Johann.

Anyway, I thought it was just going to be one of those mind numbing days, but then, I got some company. I kept pretty light security around the office. I figured the guards were better spent somewhere else, and, really, who was going to come assassinate me? Point is, most visitors that I knew could come in unannounced. So, when Zoe came in through the doors, I was a little surprised, but I was excited to see a friendly face.

I even put my hands together on top of my desk while I waited and she did likewise, folding her hands out in front of her legs. Johann, what does it mean? For example, even if he was kind of a sinister douchebag, he was a better negotiator than me and I often sent him to go haggle with the Communion and stuff like that.

Him being gone for three days was going to be a problem. Cool, right? Was I procrastinating? A little bit. I was waiting outside, going over some smaller things I could settle with my signature. Johann hardly ever wears it. Come to think of it, baa-chan was always on ossan to wear his, but he never wore it either. I heard the click of her heels approaching and I looked up to see her when she came out.

Her dress was modeled after mine: tight around the bust and loose around the legs. It was even the same shade of pale blue. Aside from that, hers was sleeveless. That was probably a good design choice, since sleeves got in the way of handling rifles. And bows, really, but my arms were so skinny that I was willing to put up with it to cover them up.

Plus, instead of strap up sandals, she had heels. Actually, seeing how she filled out a dress so similar to mine made me a little self conscious. Shut up, I am not flat. I know how you like to keep a varied wardrobe. Still, only so many people had my Guardians partner card, so it was probably important. Sable sent me mail. Wonder what it says. I had to spit some of her hair out of my mouth.

My next trip away from Neudaiz would probably be my last, so I was really, really hoping that the Confinement battle would go as planned. Yeah, that sounds hilarious in hindsight. Zoe adapted to etiquette pretty well, I gotta say. I think she was actually enjoying herself. I guess some people are just born to serve. Um, that sounded really bitchy, can we strike that? Zoe and I entered the building, said our hellos to Reyna, greeted a few of the rank and file that were lingering around to go on a mission and got directed to head to a room in the back.

I heard some of the boys whispering about how hot we looked as we were leaving the room, so that was a nice ego boost. They used plural! It was one of the sick bays in the branch that Guardians who were injured on missions were brought back to.

First, her expression fell into a pout, like a child who had just been told that Christmas is canceled forever. I think, I think I saw a smirk on her face. Naturally, that just made Sable grind her teeth like a jungle cat ready to pounce.

Except Johann. Honestly, he could find a way to cheat tic-tac-toe if it came to it. Sable snarled once more at Zoe, who just shrugged in response, and turned to me. I walked over to see who was lying in the bed and she took my jolt of surprise as a cue to go on. She stirred in her covers and weakly turned her head to me. From what I could see of her, I agreed with Sable saying she was in bad shape.

Her skin was pale and gaunt, and her hair had even greyed a bit. First, she made an odd little murmur, then she cleared her throat. It seemed she lacked the strength to even speak freely. As soon as she started speaking actual words, I dropped to one knee, realizing that she was speaking as loudly as she could. I found her hand beneath the covers and brought it out to hold onto it.

It felt frail and cold, but I held on as I tried to make sense of the situation. Myself understands you, Seisha. It was thick, moist cough, you know the kind, with all the spit and mucus at the back of your throat. It really was like she aged decades since the last time I saw her. Myself apologizes, for being an obstacle. Who did this to you? She tried to sit up, but I forced her down. She was obviously in no shape to be exerting herself. Callisto will attack Moatoob. Hauser and Helga will be there.

Along with those two, a truly frightening opponent of terrible power. I felt my heart sink into my stomach when I felt nothing. I looked up to Zoe and Sable to shake my head. I knew full well what happened. That was precisely what was going to happen to me if I spent too long away from Neudaiz. She was a pureblood newman like me, after all, and so, had the same problem. But that would have to wait until later. Sable, could you give me all the details about how you found her and brought her here?

I was sad for Li Ming, I really was. We loved our home, and deep in our hearts, we wanted te best done by Neudaiz. Zoe walked up to Sable and slapped her. Just dead on slapped her in the cheek. Made a nice echo. It just hit too close to home. As I left, I put my hand over my mouth; I thought I might throw up once no one could see. I folded my arms across my waist and tried to suck in all the nasty things I was feeling.

So, I spilled. So, I just wiped them as they came. So you have to be okay. I let myself go slack, since she was holding me up and soon, my sniffles quieted. My trembling slowed, and then stopped. I laid one of my hands on hers, the one that was draped across my breasts, and let my body compose itself.

So nyah. Now I'm racking my brain trying to think of who will attack Neudaiz. I still liked this chapter. And, we're back. Thank you for your patience everyone. No one said it out loud, but I'm sure at least one of you was secretly terrified that this might become a year long disappearing act. But man, now I have to go and retrieve all the stuff I lost. Wallpaper, Firefox add ons, music, Steam games, and I grossly overestimated how far along my initial designs were.

My younger self had made numerous errors in the blueprint and seemed for every issue I resolved, three more appeared. Still, despite the potential for frustration, I worked steadily. It was difficult, but thankfully, I never ran into an outright roadblock. Given the three day time limit, that was a small miracle to be thankful for. Alicia was helpful during the process. It was also pleasant having something that smelled nice in the room, so there was that, too. By the time three days had passed and I was in the twilight hours of the fated day, I had completed the final blueprint.

Even as pressed for time as I was, I had to stop and look upon my work with pride. It was an ambitious design and if it panned out, it would be, far and away, the most powerful weapon in Gurhal. A more responsible man would have pondered if he was fit to wield such power. Me, I was wondering what color to paint the hilt. Where are you going to get any on such short notice?

I steepled my fingers and laid back in my chair. But I am, at the end of the day, a pragmatist. A few hours later, I awoke to Alicia slightly shaking me by my shoulders. But, there was work to be done. Oh well. It has no blade. I took the hilt from her so I could examine my work. The hilt was lighter than any other I ever made.

You see, as with all my weapons, I designed a safety precaution. Engineering is nothing if not creative. I slowly moved the sword through the air and the photon cage lit up with light. Through it, moved all sorts of colors, mushed together like a rainbow that had collapsed on itself. As soon as I stopped, the colors disappeared. The cage had the shape of a narrow broadsword; not quite my usual rapier, but it could be used like one.

The room was lit up with a flurry of rainbow flashes as my arm adjusted to the new weapon. Then, again, she smiled. It really was a nice smile. To this day, I consider it my finest hour of shenanigans. I left Alicia in my room to embark towards my destination.

At the time, I just wrote it off as father being father, but the more I thought about it, the less it seemed like an idle comment. I had a small hunch. Why, the place it all began, of course. I called it that because of the sheer amount of weapons contained within. Swords, guns, wands, all manner of weapons could be found in the vault.

Some whimsy, like the double saber that resembled a burning Q tip, some of efficient and deadly design, like twin black machine guns, but no two weapons in the vault were alike. All of them were mounted on the walls and on the pillars throughout the room, like a museum.

In my youth, father spent much of his time in the vault. In the center, there was a single chair in which he would sit and regard his collection, as if they aided in his deep thought. If I was looking for him, it would always be the first, and usually the last, place I would look. That day was no different. There was a soft glow to the room, a result of that bright light bouncing off the bleached white marble tiles. As he always did, he was seated in that chair.

He looked the same as usual, though if I think about it, he did seem a little tired. You got my message? His eyes shut halfway, as if he was thinking to put a number on it. Eventually, he opened them back up. You had a conversation of a me from several millennia ago.

People change. Well, let me answer your question. I had it all thought out so cleanly in my head. I was so sure I could pull the puppet strings. I did a lot of what I intended to do. Neudaiz turned out, like, freaking perfectly. Parum, too, though that whole cast supremacy thing took me by surprise.

I had spent so long isolated on that ship, I guess I just forgot. You want to know if your whole life has really been an orchestrated production with which you and your efforts have had no impact on, yes? I just narrowed my eyes and looked on. He seemed to be in an unusually talkative mood, so why ruin it?

With that in mind, kid, do you really think a beast would have been my first choice? Once we began training, father had never once made a reference to my racial deficiency for teching. Any mistakes or difficulties I experienced, he just always attributed them to me being lazy. After a while, I had convinced myself that he never even thought about it. So, what he said there stung just a tiny bit. The nine before you were humans and newmen. Yet, they all failed in what I needed them to do.

Then, you came along. He paused to smirk before he continued. As in, maniacal cackling. I was a little worried actually, but after several moments, he calmed down, though his voice was still choked with laughter. Your will has always been of your own design. I was happy. I even smiled. All the people I had befriended, the battles I fought and the accomplishments I had earned would still be a part of me. It happens now and then, but I wanted to preserve just a little bit more time so we could have this chat.

So, I retreated here, and waited. I was considerably less angry with him. He started to tap his cheek while he looked at me. So, kid. I followed, but kept my distance. Off the mount, he took a pair of katana; one with a red tinge, the other with a blue gleam. He made a little show of slashing them through the air as he took them down before he turned back to me. So, the usual then? You understand, the way we did our training was very hands on.

Inflation, and all. To do that in my state, I need to come at you with killing intent. This is going to be a serious fight, Johann. You can say no, if you want. This should be an interesting fight. It's the way they best communicate with each other verbal sparring or physical sparring, either way , so it'll be nice to see what they have to say. Also, I look forward to seeing the elder Launcher's reaction to his prized heirloom being melted down to make Alsydeon.

Though he'll probably think it's funny. In before narrator switch. Good chapter though. Good luck recovering that "stuff. Fear not, this chapter was just difficult to write. Which is weird, because I've been daydreaming of it for months now. Plus, the copy of MS Office I was going to install turned out to be a blank CD, so me and Microsoft are going to have a fight over that.

Go go Google Docs. Anyway, here we have a chapter that, I hope, reflects my finer efforts in spite of writer's block. Not so much in writing, but in thought. I had to really sit and think about how to articulate the essence of Johann's character. I really do hope you enjoy it because this chapter is a big deal for me. Chapter Combat Clinic How do my fights always begin?

The same bloody way, every time, you could set your watch by it. I shot my foie and father shot his. They met in the middle and snuffed each other out, leaving us both in the same exact position we started in. So, we fired again, trying to make the other flinch, and of course, that yielded no result either. We kept that up for several more volleys, neither of us showing an opening for the other to exploit.

The fight had just started and we were already at a stalemate. So, he did something fancy. Just as I was about to toss another foie, he vanished in a splash of light. But, I did, so I knew to immediately whip around and intercept his ryuker. Still, one thing I did grasp about fighting him in melee was that his method of attack could be stymied if I kept my eye out for certain moments: moments where his two swords crossed over each other. During those moments, I could wedge my sword between them and bring him to a halt.

I held firm and kept him there, pressing my feet into the ground. So, I pulled away just as the voltage crackled through his katanas. My intent was to get him to jump off it and into the air where I could hit him with something more easily. To my chagrin, he was content to stand on the rising stalagmite, and raise one beneath me, lifting me into the air as well.

Children these days We were standing opposite each other, maybe ten Rp or so from each other, on the stalagmites we pulled from the ground. You might think it would be a simple task to jump off, but you would be mistaken. Whoever left their platform first would be in the air, immobile, for several seconds and at an extreme disadvantage.

So, it was going to be a matter of who could knock off who first. It must have been bright because even with my eye shut, I could get a sense for the flash. I cast rabarta and created an ice slick on his platform, and immediately followed it with a diga I pulled from the wall behind him.

You know that. It still sounded like a trick question, honestly, but I ventured a guess. I peered over the edge to see an ominous mist blowing out from the base of my pillar. The bastard had been eating away at mine with damdiga while he was speaking. It was too late to do anything about it though, and my pillar came crumbling down, dropping me through the air. For whatever reason, he chose not to take advantage of my vulnerability, and just stood atop his pillar while I picked myself up from the rubble.

With a grunt, I tore out a good sized boulder from the base of his pillar to bring it down. Like a javelin, my zonde shot toward him, only to be dispersed harmlessly by the back of his hand. Then, he vanished. Not because he had me in a tight spot, but because I had to reveal my hand a little earlier than I would have liked.

Just as one of his swords was coming down on my head, I used ryuker and warped behind him to turn the tables. Eventually, our blades were locked at a stalemate while we were staring each other down. You say you made that?

I just smirked instead. What it is that makes you special. I cut a few corners while raising you. I blew up a rafoie in between us to cover my approach with the smoke. As I emerged on the opposite side, prepared to thrust, I was surprised to see that father was not there as I was expecting, but above me in the air, about to bring his katana down.

I pulled the momentum of my charge away and ungracefully tumbled to the floor as his blades nicked the floor beside my head. I pulled some snakes from the marble and had them coil around his swords to hold them in place while I got up to my feet. So, naturally, father made me practice doubly hard with nosdiga.

I have to admit though, it worked. Geez, it was fourteen years ago. You should be able to laugh about it by now. You know better. The heat was brutal, but I needed to make an air lens to deflect whatever manner of lightning father was planning to throw at me. It was a good decision, since it turned out to be sazonde. Outside my field of flames, the air crackled and popped relentlessly as bolts and sparks were rebuffed by my heat shield.

I just barely got Alsydeon over my head in time to catch the overhead swing. I had to press my other hand against it to hold both his swords at bay, and my knees felt like they were going to pop right out as I struggled to stand upright against the pressure. Right, so, remind me, what were we talking about?

He hit me in the chest with his knee, which collapsed my defense, and followed through with a kick that sent me sliding back into the wall on the ice slick he had made behind me. There is one thing, more important than either that separates the exceptional from the mediocre, the great from the mundane, and the treasure from the trash.

Do you know what it is? I shook my head quietly at the question. Do you know why I like video games, Johann? You push it again, the same thing happens. You can work for something for ten years and never get it, while someone else puts in a few days and gets what you were after immediately.

Understandably, some people lose the will to go on trying in the face of this ridiculous unfairness. Not you. Talent, effort, these things are small. And any moron would be willing to jump through a thousand hoops if you guaranteed a result they desired. But, the sort of person, who can trip over dozens of hurdles and continually pick themselves back up, with no goal, no finish line in sight and keep on going You see, the most important thing, that is It seemed that we had put a pause on the battle for him to monologue.

The silence had gotten to be almost maddening, and I was prepared to scream when he finally finished his thought. Also known as guts, resolve, etc. You, Johann, have drive. You have an inexhaustible motivation. You go to ridiculous lengths to exact petty revenge, come up with stupidly elaborate contingency plans because of scenarios that momentarily cross your mind and just all around do crap just to see if you can.

Hell if I know. The rest is up to you. Stop, and think now. Still, I took the lull in the battle to pause and reflect on what he had said. I shut my eye and thought about how what he had said related to my current condition. So I had drive. Where did that drive come from? Why did I have this motivation father was talking about. I had, somehow, lived a whole life without concrete aspirations. Ironically, it was that lack of ambition that spurred my ambition: a bit of a paradox, as it were.

I was able to live and achieve to my fullest because I was never evaluating myself. That would be fun to think on later, but I had a more immediate concern. I just needed that one last epiphany to put it all together. And it came. Like a flood, the answer came rushing into my mind, nearly overwhelming me with enlightenment. The reason I had been diffident and weak as of late was so simple, so trite, I almost laughed. I fell in love. Meeting Gwendolyn, and coming to love her, I had gained a vision for my future.

In so doing, I had gained that paralyzing fear that binds normal people. With her in my mind, I would constantly be asking myself if I could save her, and how long we could be together. Knowing that I had to stay alive for her sake, I would second guess my own plans and actions, desperately needing to preserve myself. Yes, falling in love turned me into a wuss. But it was okay. Because now that I had a grasp on the fear, I could put it to the side like I did with all my other fears.

I opened my eye and father was across from me, seated on the floor. He looked up as I retook my combat stance and stood up. I can see strength in your eyes. Welcome back, kid. Goooood stuff. The "behind you! I was wondering how you'd choose to go on this one. Excellent work. I literally lol'ed at the Ryuker chain And yes, Google docs ftw. I'm sittin on the edge of my chair here. Also happy singles day. Even if I'm posting this on the morning after. George R. Martin has football, I have new MMOs.

A happy SAD to you as well, your eminence. I wanted to beat him because he was a miserable bastard who spent my childhood deriving entirely too much amusement from tormenting me. Needless to say, I was elated when the moment finally came. Father lit both of his blades aflame and wove them around, creating an intimidating display of white fire.

Just a few minutes ago, it might have been enough to make me apprehensive, to make me waver, but as I was, I dove right in. It does have a rather debilitating weakness though: in order to keep the flame going, the sword or swords have to be in constant motion. I slid my sword between his when they crossed over each other and just as expected, the flames went out.

Unexpectedly, on the other hand, my sword took the flames. No sense looking a gift horse in the mouth I figured, so I swung at him with it. He parried, naturally, and his katana took back the flame. For the next few minutes, we put on something of a show, constantly trading the fire back and forth as we had a straight up sword fight.

We were struggling to get our swords loose from each other, so, he decided to screw with my mind. He taunted me like that in sparring fairly often. It usually set me off and put me off balance. That day though, I finally had the perfect retort. Hey, father. I was able to shove his arms away from his torso and take the open shot with a zonde. The electricity racked his body and brought him to his knee.

I dispersed each one with a thrust, popping them like bubbles, snickering all the while. He warped behind me and warped above him not a blink later. In my wake, I left a noszonde of my own for him to swing his sword into. As he was riding out the shock, I landed my foot on his head and jumped off, making him stumble to the ground. I was just warming up.

It looks like you have your head together again. I was about the entertain the ridiculous notion that he was being clumsy when he slid the other into its sheath. You understand, while father used two katanas for general melee, his most powerful attacks required both hands on one sword. That was okay though, since I had my own powerful attack to use.

Vivace had been with me for years, and nearly without fail, it put an end to my most difficult fights. It was a little weird, because considering the convoluted methods I employ in battle, Vivace was out of place. With a flick of my wrist, I sliced open a megiverse to my side.

Within seconds, the black slit caved in on itself, opening up a tear in the light itself. He really loves that technique. It was as if he had pulled a gigantic blanket of fire from above himself and spun it around his katana. The hot orange flicker was nearly enough to eclipse the white glow of my own attack. Swing like you mean it!

My fears, my questions and my doubts were just nonexistent for those several seconds during which we shared our final clash. Then, he did something unexpected. Right as we came upon each other and should have taken our opportunities to swing our shiny lights It was as if I was watching a movie as I thrust Vivace into him. On contact, the sparkling white light on my blade exploded in a flash, just as it always did, leaving me desperate to see the result of my own attack.

It felt like hours, waiting for my vision to return. And then, I felt a hand on Alsydeon. As my eye came back into focus, it was readily apparent why he was coughing; my sword was stuck in his chest, and his hand was on top of mine on the hilt. Where are your cracks?

He ran his hand over his cheek and the surprise on his face only grew as he felt nothing but his smooth skin. Then, he raised his hand and pointed it at the wall, seemingly attempting to focus. Whatever he was trying to do, he was getting no result. The Darkness Not a smirk, not a trollface grin, but a genuine smile of joy.

Johann, you magnificent bastard! Your new weapon must have been able to channel that many photons into my body. Do you know what this means?! Holy crap, I completely gave up hope on this story having anything but a bittersweet ending, but holy crap, you might be able to pull off a good end! I never had any intention of settling for anything less than the best ending, father, you should know that about me by now. I should probably get your aunt to look at this soon.

Vivace was my best move. I think he saw it in my face. Really, my survival is a testament to my superior teaching ability. Yeah, okay, see you later kid. Goodbye, father. It was much the way it was the first time around, with a small difference.

When Keiko arrived, I was not with her. He sent me a mail telling me to go on ahead. All the girls looked at her, almost with pity, while she scrunched up her face in frustration. Ethan, fast learner that he is, just kept quiet while they were talking, as not to give them cause to pounce on him for whatever reason. Like a flash of thunder, the font of light appeared and vanished, dropping me off in between.

There are a lot of little signs of feminine arousal; dilated pupils, feet parted outward from each other, parted lips, blushing, etc. As many of them went off with my arrival, you could have had yourself a rousing game of Bingo. Yes, I shaved my goatee was sporting a clean jawline along with my recovered countenance.

What better way to go into battle than knowing you have five lovely angels at your back? And you, Ethan. She cradled her cheeks in her palms and looked away. I had their complete and undivided attention. Of course, I knew exactly what all of us were up against. Spoiler alert: they all won their fights the first time around, but they struggled significantly. Keiko, in particular.

So, I thought some words were in order. First Keiko, then Zoe, then And off they went to their spaceports, much more enthusiastically than the first time around. Keiko lingered behind with me for a word. Hey, empress. Do your best. I shrugged and flicked it away as I turned to head for my port. Which MMO is soaking up your time now? I'm getting ready for TERA when it's released, played in last weekend's beta and it was pretty enjoyable. Also the Gokaiger thing, sounds like something one of my other friends would write into a story as well.

Star Wars: The Old Republic had my attention. It was great. Then I hit My sub runs out on the 29th, and I have no intentions of renewing.

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Construction yielded nearly 30, cubic yards of excess soil, which Burton and her team decided to repurpose on a stretch of grass surrounded by California sycamore. What was supposed to be a lawn became a grassy mound that gently draws people in to play and relax. Agapanthus praecox ssp. A lushly planted walkway stretches from the northern part of the park southward and features a diverse assortment of California climateadapted plantings, such as the silverleafed princess flower and the lily of the Nile.

While the visitor still has sight lines outward, the space becomes more enclosed and intimate as the layers of plantings build from the ground level upward, bleeding into the landscape and buildings beyond. The steps are wide and shallow enough that they invite the pedestrian upward to explore the curious specimens— as coarsely textured as the coral aloe and as delicate as the New Zealand iris—up close.

Burton says that an initial challenge to the redesign was the existing main diagonal entryways that obscured inward visibility. To open this space and draw people inward, straight avenues were cut into these diagonals, creating three additional entrances. Burton chose different plantings and material colors at each of the seven entryways to help orient visitors and create a distinct identity for each access point. Along the with olive trees. Burton says the owner path is a thick perimeter wall made had asked for a big open lawn, but she from the stone combed from the countered with the idea of less water- site before construction.

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His brisk intellectual aplomb, whose charm is its implication that sharing interesting ideas is an enjoyable form of social life, could have been teleported with no change in demeanor from the heady days of John F. This edition has been the architecture critic of the Los Angeles Times since Before moving from New York to L. Times duties, Hawthorne did the same job for Slate. Times uses and meanings of commucolumns drew attention for their nal urban spaces ever since he scope and vigor.

His latest research L. Times building ist are the oft-despised mirrored- one balmy May morning, is also glass behemoths of the s our destination: the Bradbury and s. These days, he tells Building, erected in and me, he frets about the imminent pure steampunk retrofuturism demise of the not especially be- within. He moderates half a dozen forums and panel discussions each year on topics as diverse as Lyft and Airbnb, L. Hockney to the Beach Boys. One of that L.

Hawthorne listens during the Third L. With every line comes station architecture, which is civic architecture. As of now, they comprise just skimpy miles of track in a metropolitan area with a population of 13 million. Thirty years ago, when ment. But no more. Last March, albeit in an election with absurdly low turnout, voters soundly rejected Measure S, an antigrowth initiative that would have put a two-year moratorium on new building projects requiring zoning changes or other waivers of the existing city rules.

For starters, proud sense of civic identity, manit had an extensive and efficient ifested in its ambitious public arpublic-transit network: the Red chitecture. Before single-family Car trolley system, with more homes became L. I lived in when I first came to L. But L. Hawthorne either believes or hopes that the First L.

Then it spent two years as a fenced-off eyesore while tell you about their neighbor- everyone bickered about its fate. Never mind By and large, the inhabitants that it no longer served any practiof Chavez Ravine and Boyle cal function beyond giving local joggers something to jog around Heights were neither.

Elderly former residents of Chavez Ravine or Boyle Heights can still. It is or was home to at least one legally protected species: the great blue heron. Things turned quarrelsome fast. Thanks in large part to L. Project began.

My own notes are embarrassing. By the time we talk in June, her side has won. The reservoir was refilled in April, and any plans to alter its function, or nonfunction, are in abeyance. But even in victory, Johnson is one of those people who never gives an inch, right down to her suggestion that park advocates only introduced the race issue to inflame public opinion and generate clickbait. Having already seen her in action, I gamely try with my first question to reframe the issue as one of affluence, not bigotry.

When Johnson took up acting, some powerhouse L. Warsaw, or gelenos would support. Mayer b. Minsk, But before that scenario starts giving L. From the dozens of independent municipalities within Los Angeles County to L. Political gridlock—deriving here from jousting jurisdictions much more than jousting ideologies—.

Nobody knows what Gehry will produce. The problem is that he has very little or no political incentive to take bold measures opportunity to change L. No doubt, he and others would like to see. Los Angeles landscape aside from Metro expansion already has L. In , Frank on a dime, he sometimes frames Gehry was commissioned by the the unusual length of the second Los Angeles River Revitalization term Garcetti won last March— Corporation now River LA to add five and a half years—as a rare the Gehry touch—or H-bomb—.

Star power counts for a lot, landscape. From Rudolph Schindler to Gehry himself, he argues, L. But willy-nilly— planned or unplanned, guided or haphazard—L. But we are all now part of the sausage. A stair through planted slopes takes people from parking areas to the main entrance level of Dodger Stadium. Known for public spaces like the 1,acre Orange County Great Park and Vista Hermosa Park in an underserved section of Los Angeles, and transformative master plans for infrastructuralized landscapes like the Los Angeles River and the Silver Lake Reservoir, the firm has a serious approach to the needs of Southern California and the services landscape architecture can provide.

For Lehrer, those numbers made the potential impact of good landscape design outweigh any reservations about the troubling history of stadium projects. Park and scheduled to open in , the stadium In L. But despite a long history of problematic and divisive development, the form is beginning to change, moving away from the suburban big box approach and toward a more urban, connected, parklike feel.

It opens out to a preexisting tree-lined space in Exposition Park used by fans for tailgating before games at the adjacent Los Angeles Memorial. Planters and hardscape are to be installed around the tree, which is designed to become a signature gathering space at the main entrance for those not arriving in cars—a group the firm hopes will be significant. This corner of the site was designed to open directly to the sidewalk, opening views of downtown from inside the stadium and, more important, views into the stadium from the corner of the street.

But South Los Angeles is far from urban England. Instead of dense streets of shops and housing, fast food restaurants and parking lots fill the space between the stadium and 16 lanes of Interstate to the east, and state-owned land on two sides of the stadium will remain asphalt lots. Compared to the barren parking lots and dead space that have dominated this section of the park, particularly since the closure and demolition of the L.

Memorial Sports Arena, the public-focused design elements of the new stadium are welcomed. Part of that budget was set aside for a new landscape plan for the acre stadium site. The firm focused the master plan on improving circulation and visitor amenities.

Mexican American neighborhood cleared under the auspices of urban renewal and housing development, Dodger Stadium was an unconventional stadium in its time—a futuristic, almost sculptural marvel of concrete, car-oriented and disconnected from the city.

Though that model of detachment would soon dominate stadium design, since the s the pendulum has been swinging back toward a more connected and people-focused approach to siting and designing sports facilities. After more than 50 years, Dodger Stadium has become an example of what not to do. But as others like it were torn down and replaced, the stadium also gradually became one of the oldest ballparks in Major League Baseball.

Now an icon of midcentury modern design, Dodger Stadium needed preservation, but it also needed to adapt. At Dodger Stadium, Smith charged Studio-MLA with turning a stadium surrounded by a desert of asphalt into a pleasant place that could be easily accessed by multiple means of transportation. The firm focused on expanding the space surrounding the stadium gates, creating new plazas and themed gathering areas in spaces once given fully to car parking. More than trees were added to the grounds or repositioned during construction, including fruit trees.

Clearly marked pedestrian walkways were added to connect the stadium to the city sidewalks beyond the parking lots, as were bike racks, drop-off and pickup zones for. The work has been gradual and ongoing since , with more development planned for the future. A buffer of between 40 and 50 feet now exists around the stadium, replacing parking spaces with plazas, plantings, and areas for fans to gather.

A small boy leaned over a bright blue planter and poked at the spiny stem of a crown of thorns Euphorbia milii. Lehrer, admittedly not a sports person, says she has come to appreciate the role sports and sports stadiums can play.

Outside the stadium gates, a bronze plaque installed in honors the original landscape team, led by the landscape architect John T. The populist magnetism of sports stadiums has made them into almost a new type of public space. The Oakland, California-based horticulturist, author, and activist is the go-to expert on home cultivation.

Each plant is an individual. Everybody loves their own produce. Some are tall, some wide, and there are different strains like indica or sativa that range in color—like heirloom tomatoes— from absinthe yellow—green to maroon and deep purple. To cultivate cannabis for its THC tetrahydrocannabinol and psychoactive properties, only the female plants are grown. The male plants look a bit. Or the news reports of thousands of plants seized and destroyed on illegal grow sites on U.

Forest Service land. In , Californians passed Proposition , permitting the use of medical marijuana. This measure allowed state residents with a medical ID card stating that they have a condition treatable by consumption of cannabis to grow up to six. In , thanks to the passage of Proposition 64 last November, California will join Alaska, Colorado, Maine, Massachusetts, Nevada, Oregon, and Washington, as well as the District of Columbia, in legalizing recreational use.

This means that cultivation will grow across many scales as it hits the mainstream—from the home user to industrial nurseries. And, at the moment, it is up to cities and counties to regulate who grows weed and where. In , the California Department of Food and Agriculture will begin to oversee marijuana cultivation.

The proposition will still allow localities to tax and regulate, but state regulations, licensure, and taxes will be imposed on all retail sales and cultivation. As legalization approaches, industrialized cannabis cultivators are poised to take advantage of the expansion to recreational use with large grow facilities in areas not typically known as marijuana country.

But the impact of the green rush is felt across California, even in unlikely landscapes such as Desert Hot Springs, a suburban community just outside Palm Springs that voted in conditional-use permitting for cultivation on industrial or undeveloped land in But its 9,square-foot state-of-the-art warehouse will soon be trumped by a ,square-foot operation from Cultivation Technologies Inc.

Located on a six-acre plot of land that was once a wrecking yard, the megacampus broke ground in June. But what is the impact on the environment when usage changes from relatively light demands on water and power services to high-tech cultivation? Cultivation Technologies Inc. Most cities and counties across the state regulate energy use as a condition of permitting. As for water, a single marijuana plant consumes on average six gallons per day: Multiply that by. The cultivator Dan Grace of Dark Heart Nursery explains that growers will generally plant from one half to one plant per square foot of canopy, depending on the utilization of a given warehouse.

Officials of Mission Springs Water District, which serves Desert Hot Springs and the Coachella Valley, worry that a booming industry will put a strain on their water infrastructure. The water is there—sourced from the Mission Creek Subbasin aquifer—but there may not be the means to deliver it. Under the Medical Cannabis Regulation and Safety Act and overseen by the Bureau of Medical Cannabis Regulation, growers will be required in to account for their sources and consumption.

The law addresses the effects of unregulated outdoor grow sites mostly in Northern California , among which are the diversions of streams or creeks that have damaged fish and wildlife habitats. Mourad Gabriel, the executive director and cofounder of the Integral Ecology Research Center IERC , has seen firsthand the devastating effects of trespass growing on state, federal, and tribal lands. He regularly works with law enforcement to find and eradicate a small fraction of some illegal sites annually discovered on public lands.

He explains that the U. Forest Service, Region 5, in Northern California is particularly attractive to the drug trafficking organizations. The area is the size of Connecticut and is monitored by one or two law enforcement officers. Nationwide, most illicit growing activity occurs in California. In , according to a U. Forest Service agent, Stephen Frick, 1.

Seizures elsewhere in the country totaled only a few more hundred thousand. Free water. No regulation. Trespass growers hike into sites some just a mile off a road, others five miles into the wilderness , packing in plants and equipment. They clear native vegetation and use irrigation hoses to divert water.

Whereas medical marijuana growers have strict regulations over the use of pesticides, illegal operations have no such restrictions. Gabriel regularly finds trash and open containers of herbicides, rodenticides, and pesticides scattered across grow plots deep in the woods.

The pesticides and rodenticides leach into the ground and pollute waterways. Animals eat the chemicals and then the poison travels through the food chain. We see them lasting three to four years. The IERC has limited money and muscle to eradicate and remediGabriel and his team track water and ate sites. The remoteness of these soil contamination caused by illegal grow plots and the threat of armed marijuana crops and damage wrought growers mean that trash must be.

As a result, on the 30 to 60 sites the team cleans annually, only a tiny percentage of the natural environment is able to be restored. Gabriel wants to bring more attention to the damage to the environment. Harvests are generally not produced for medical dispensaries.

Rather they find their way across state lines for black market sales and consumption. Meanwhile, farther down the coast, Monterey County government officials are interested in bringing rogue cultivators into the fold. They offered incentives for growers to come forward and become legal by August Row after row of lettuces and strawberries blankets the Pacific bluffs.

Plasha Fielding Will, a political consultant and founder of the Monterey County Cannabis Industry Association, says that officials wanted to ensure that Salinas Valley would remain the lettuce capital of the world. They worried that the more lucrative marijuana crop would take over.

One of the most interesting byproducts of the green rush along the Central Coast is cultural. For generations, Japanese and Filipino families operated these old Dutch greenhouses, but as the cut flower business was undercut by imports, their businesses closed. As the cannabis industry beckons, some are benefiting by selling their properties, while others are getting involved in production.

Kogan looks to these farmers for their skills in scaling a business, knowledge of agricultural processes, and ability to reduce labor costs. Yet inside those refurbished greenhouses, high-. With passage of the Medical Cannabis Regulation and Safety Act and adult use, people are more comfortable stepping out into full view in the economy. Legal cultivation comes with building permits, fire permits, business.

Pesticide-laden trespass grows on U. Forest Service land threaten natural habitats and damage the environment. The IERC is on a mission to eradicate them. Years before Dan Grace founded Dark Heart Nursery in with his partner, Sara Ubelhart, he was an activist and spent time in Kentucky working in community gardens.

His earliest cannabis grows were the efforts of an informed hobbyist. Today, Grace runs his nursery out of a 20,squarefoot warehouse, a former food processing plant. Dark Heart specializes in developing premium clones for growers in Northern California. But warehouses are ill suited for agriculture. Humidity is a problem; airconditioning is a problem. And cooling systems just add to already heavy energy loads. Kogan bridles a bit at the need for this kind of constructed opacity, which Gavin Kogan of is paired with security guards and Grupo Flor is betting closed-circuit television cameras.

It his refurbished Dutch greenhouses on harks back to the highly opaque dealCalifornians accepting ings of illegal practices. This like lettuce. Today, the Trump administration is echoing the sentiment of those days. Attorney General Jeff Sessions has threatened to crack down on states that allow medical and recreational use. Although 60 percent of Americans live in an area that permits some legal use, Sessions plans to target marijuana providers. She hopes that permitting cultivation will put an end to jerry-rigged electrical wiring and other unsafe warehouse conditions.

And while Grupo Flor boasts 2. Cultivators favor chain link with green side striping through the links—an identifying tip for those driving through the area. For Grace, permitting has allowed cultivators to stop hiding. Here in Oakland, we have plenty of shared problems like crime and vandalism in the neighborhood. It took a lot of courage to do that back then. You were always worried you were going to run into a stick-inthe-mud neighbor who would call up the drug enforcement agency.

Real estate prices have more than tripled for green zone warehouses. Concerns remain that better funded entrepreneurs will shut out local business, es-. This spring, the city council approved an equity permit program for cannabis businesses. It aims to prioritize issuing permits to people most affected by the war on drugs as well as residents who were arrested and convicted of cannabis crimes in Oakland over the past 20 years.

Special Agent Frick has seen only steep and steady increases in illegal activity as the state loosens its laws. It does, however, seem to provide new opportunities for industry in areas that need revitalization. Home grower Ed Rosenthal offers some philosophical advice to an uncertain future.

The plants die in a season. As approaches, the cannabis landscape in California promises a host of social, economic, and environmental complexities. Endless rows of cars are parked along its curving streets and in front of 62 three- and four-story barracks-style buildings that step down the steep hill.

For Curteesha Cosby, who lives at Potrero, these parked cars are sometimes a refuge of last resort. She says she hears shooting nearly every day. Her cousin was gunned down in the housing complex a few days before we spoke.

But, for the retaliatory violence that often follows shootings. Residents complain of mold and pests in their of working-class San Franciscans in the s apartments. Lately, a cresting fact that 25 percent of residents are unemployed, one third are wave of gentrification has washed over the Potrero disabled, and fewer than half have bank accounts. By the low Hill area. The vision for Potrero includes a plan to raze and rebuild, adding market-rate housing and a comprehensive landscape plan by GLS Landscape Architecture.

It will also use open space as a way to bridge the gulf between longtime residents and the affluent newcomers who will help subsidize the affordable public housing. Strang hopes that the new arrivals will accept Potrero and its current residents as their neighbors, though current public housing residents are wary that this will actually happen. People get protective. They were racially integrated, and their residents were solidly working class, but.

Potrero Hill has a meandering suburban feel. There are wide lawns, but little space to be programmed for an organized public use. In the process, it will regrade approximately , cubic yards of earth the equivalent of six U. Capitol rotundas and add another 98, cubic yards of soil. All said, Strang will weave the Potrero plan through slopes of 20 percent, across a site that increases in elevation by feet, offering spectacular views to rich and poor alike. Potrero Hill was designed and built to require as little regrading of the steep site as possible, with buildings placed along the contour of the hill.

This is most apparent in the sets of pedestrian stairs that span the steepest blocks at Potrero; the primary north—south axis of Connecticut Street north of 25th Street, and a smaller stair to the east along 23rd Street.

It took a lot of effort to make them buildable, give them spatial logic,. This is not a hilltop park. This is a hillside park. As such, many of the plants selected have to survive a trifecta somewhat unique to Potrero: serpentine resistant, drought resistant, and tolerant of poor drainage. This is especially true of the trees that line both pedestrian. Because of the sheer inclines, rainwater on site moves fast, and the serpentine rock belowground makes moisture giving serpentine slopes.

David Baker to the site to design affordable housing. At the Hunters View rich Cor-Ten steel finishes, cozy courtyards, cuHOPE SF site a few miles south of Potrero Hill, Strang took rated views, and mild Italian hill town sensibility what was an even more isolated and dilapidated public housing signal that Strang already knows how to set the development and reorganized its landscape on top of unfor- table for a vibrant public realm to emerge.

There are currently about units of housing at Potrero, but the new development promises more than 1, dwellings, more than doubling density in buildings up to seven to eight stories. Just about every element of the Potrero plan hinges on this increased density. Nineteen units in this building will be designated as lightly subsidized affordable units. The remaining current Potrero units will be rehoused in existing, vacant units on site.

There will be a broad mix of sizes, says Adams, with predominantly one, two, and three bedrooms, with a few studios and four-bedroom units. The goal is to choose bedroom counts by meeting the needs of the existing population at Potrero, so the final mix of units will be determined phase by phase. After decades of a relatively uncrowded landscape, current residents are wary of this denser housing. At Potrero, the into her new home at Potrero soon, but says she would prefer first new building going up on a vacant site will to move away.

With federal money dwindling the landmark public housing privatization program HOPE VI had its funding discontinued after and a growing crisis of housing affordability, San Francisco could only depend on itself. The program has a similar cast of characters seen in other developer-led public housing conversions. HOPE SF has two rules that set it apart: No relocation off-site, and a guaranteed ratio for unit replacement, a strategy enforced by a city ordinance.

In addition to the public housing units at Potrero to be replaced, there will be units, lightly subsidized by tax credits, targeted at people making 50 to 60 percent of the area median income. He hopes it will allow those in public housing to have a better place to live so they can stay in their community. At Potrero and other HOPE SF sites, not a single building will mix market-rate residents And at Potrero, the city is rushing to meet the need for af- with subsidized residents.

The public housing and build back mixed-income city pockets the revenue from the sale of market-rate units, garden apartments and town houses, the results achieved—after a traumatic upheaval—were dewhich becomes subsidy for additional affordable housing.

But neighborhood activists are still number of housing residents that made it back. Their lives were not remade with the help of neighbors who taught them how to code. They did find themselves in neighborhoods that were safer and more stable. So why not just build back with the same high level of density, but make everything affordable? But the new plan offers a rich spectrum of landscapes, each suited to varying levels of neighborly intimacy.

The main east—west axis, 24th Street, will be oriented to pedestrians as the flattest street on the site, connecting to several new public amenities and retail spaces. For those with limited mobility or disabilities, community services are located here. And at the most intimate and private scale, interior courtyards planted with olive trees and coffeeberry will give apartment buildings their own dedicated public forum.

The current Potrero landscape has no hierarchy of Across the entire plan, there is no singular space or monupublic-to-private spaces. Potrero sits on a vein of pale green serpentine rock that makes growing conditions difficult and stormwater drainage unpredictable. The Squiggle Park connects to an existing local elementary school, and the central park is attached to the Connecticut Street pedestrian stair, itself a circulation path. The 23rd Street stair leads to a nearby commuter rail station.

Each bit of green space here will be a bit of a trail marker along a wider web. There is no solution to affordable housing that is completely reliant on design at the expense of public policy. But landscape. Islands for shorebirds and other birds to rest and nest on were built into each of the restored ponds.

Project managers are using lessons learned so far to improve their habitat and design. Wetlands fringed its edges, sponging up heavy storms and filtering pollutants. But since the s, almost 92 percent of those wetlands have been lost: Cities and developers filled in and paved over the marshes; farmers and ranchers leveed off the tides and drained the wetlands for grazing and crops. Along the edges of the bay, commercial salt harvesting companies such as the Leslie Salt Company later purchased by Cargill replumbed thousands of acres of tidal marsh into elaborate pond systems designed to evaporate water and concentrate salt in the sun for harvesting.

They—and many environmental groups—had been eyeing the South Bay salt ponds, having noticed that when the ponds dried out, the old footprint of the marshes and their networks of channels could still be seen. Today, after many more years of grassroots activism, scientific studies, and legal and financial wrangling, 15, acres of former salt ponds in the South Bay are on their way back to becoming tidal marsh or other types of wetlands in one of the largest ecosystem restoration efforts in the world, in one of the most densely urbanized areas in the country.

In the s, LaRiviere took daily walks along the South Bay shoreline and became determined to save the wetlands she loved from the development that was constantly encroaching into the bay. In the s, she and her colleagues, including a group of duck hunters, persuaded Rep. Don Edwards, a California Democrat, to introduce legislation to acquire 23, acres of land—mostly salt ponds—to create the San Francisco Bay National Wildlife Refuge later named after Edwards.

It seemed silly to me that we would just go for salt ponds. Restoration to tidal marsh was always the goal. By the mids, Cargill had discovered more efficient ways to process and harvest salt and needed much less land on which to do so. The company was also threatening to sell some of its land to developers, a threat that continues today.

The purchase was a bit unusual because the refuge the public already owned the land in the South Bay. Cargill still retains the right to mine salt on another 11, acres of ponds. Shortly after the purchase went through, state and federal wildlife agencies, along with the California Coastal Conservancy, began a four-year public process to develop a restoration plan. A final plan was adopted in , and the first phase of restoration began that year. The goals of the project are to provide habitat for birds and fish, to offer the public access and passive recreation opportunities, and to reduce flood risk for the two million residents of the South Bay living behind the ponds, says the AECOM principal and vice president Marcia.

Scientists had hoped they could ultimately restore as much as 90 percent of the ponds to tidal marsh and other types of wetlands and retain only 10 percent ponds. But certain species of birds had relied on the salt ponds as habitat for years, including American avocets, black-necked stilts, and western snowy plovers, the last of which is listed as threatened under the federal Endangered Species Act.

The ponds were never intended. The decision was made to keep the ultimate goal of restoring 90 percent of the ponds to marsh, but to implement the project in stepped phases, with a lower starting goal. In addition to figuring out habitats for the birds, scientists also had to think about the physical challenges involved in restoring ponds that had been holding back very salty water. Restoring former grazing or agricultural lands to salt marsh, if they are not too subsided, can be as simple as breaching a levee and letting the tides reclaim the land.

But releasing too much salty water into the bay all at once can quickly cause water quality problems. So one of the first activities was to install 53 new water control systems to improve water circulation. Better circulation also led to more bird use.

The plume of sediment moving down through the system from. Multiple cells— with different salinities and water levels—were created in one big pond at Eden Landing to test how different salinities create different prey bases and affect bird use. Years of overpumping groundwater had caused the northern end of Santa Clara County—including some salt ponds—to subside by as much as six to 10 feet in some places, Bourgeois says. Scientists feared that once the pond levees were breached, the tides would scour them out.

Scientists are experimenting with ways to manage the ponds to protect the more sensitive species. Other worries involved water quality. Would the very shallow 12 inches deep ponds created for shorebirds experience algal blooms and fish kills? Would more marshland lead to increased levels of mercury—a legacy pollutant from mining—in the bay and its wildlife?

Mercury, a heavy metal, tends to stalking prey. And in addition to concerns about ecological impacts, two million residents and corporate headquarters such as Apple, Google, and Facebook need to be protected from floods. The salt pond berms had never been designed or engineered to provide flood protection, Bourgeois says.

With so many uncertainties in play, salt pond project scientists and managers decided to conduct the project in two phases, using an adaptive management approach. Participants agreed that overall progress had been good—with the caveat that 75 percent of the ponds are still being managed with interim structures. Longfin smelt, a species listed as threatened by the state, have been overwintering in the ponds. Pioneer marsh plants like pickleweed have colonized ponds such as A Creating The Alviso area ponds at the southernmost tip public access got a light green rating: Seven miles of trail, boat of the bay have become a productive nursery launches, and boardwalks have been built.

AECOM designed. Snowy plover numbers are up, on track to achieve the initial project goal of breeding pairs, says Karine Tokatlian, the plover program director with the San Francisco Bay Bird Observatory. Shorebirds and waterbirds are using the islands that were created in the ponds for nesting and roosting; however, in some spots, the wet clay cracked and their chicks fell in.

Fish and Wildlife Service biologist, Rachel Tertes, explains that to remedy this problem, they have changed the way they build the islands. Then once the mud dries, settles, and cracks, we use heavy equipment to essentially rake the dirt to fill the cracks and smooth the island, while still leaving some topographic diversity, to make it more appropriate nesting habitat.

AECOM designed observation platforms to give people perspective and access to the project without altering it or affecting sensitive species. In those areas, elevated walkways were created. Project managers wanted to avoid using pumps, which means that circulation and dissolved oxygen are limited. Mercury got a red stoplight. Studies of the ponds by the USGS show that methylmercury levels increase during and immediately after restoration activities, but decrease after the disturbance stops.

Those high levels caused the opening of the gates at Pond A8 to stop until the mercury levels returned to normal levels two years later. Another uncertainty that earned a stoplight is the breeding success of terns, avocets, and stilts. Experiencing the project by kayak or canoe gives visitors a more intimate experience of the marsh. The ponds in phase 1 were easier to restore and did not need extensive certified levee systems, Bourgeois says.

But in phase 2, one uncertainty has risen to the top. Obviously, our thinking has changed dramatically as projections have changed; it pervades everything now. There are more than 50, gulls in the South Bay now, according to the U. But the gull problem highlights another challenge associated with ecological restoration in the middle of an urbanized area.

These visitors commented that the natural setting was most important to them. The U. Army Corps of Engineers dredges about two million cubic yards of sediment from ports, marinas, and refineries around San Francisco Bay every year, Bourgeois says.

That sediment could be used to feed marsh development instead of being disposed of in the ocean. Bourgeois finds it a little ironic—and frustrating— that companies like Apple, Google, and Facebook will receive flood protection benefits from the restoration project. Senator Feinstein challenged them to take on sea-level rise and climate change. Perhaps they could heed the wise words of Florence LaRiviere. The products in the Solid Series have a solid character. In terms of design, its identity is modest and minimal.

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Edited by Susan M. Fraser puts the historical importance in context. THE J. These trees were planted when the Getty opened in the Brentwood section of the city in , along with scores of deciduous native sycamore, crape myrtle, and London plane trees, as well as tens of thousands of ground cover plants. Its impeccable blending of artistic functionality and beauty has earned OLIN the ASLA Landmark Award, which is given to works of landscape architecture between 15 and 50 years old that have kept their design integrity and contributed to the civic realm.

The J. Canopies of more than 10, native oak trees form a gentle greenbelt on the hillside. It has been argued that Meier violated the Frank Lloyd Wright maxim never to build on top of a hill, but rather into a hill, as I. Pei did at the Miho Museum in Japan around the same time. OLIN rationalized the relationships among the many different levels. Paul Getty Center, a celebrated cultural institution in Los Angeles, blends art, architecture, and landscape architecture into a cohesive and serene experience.

Its main campus occupies of those acres arranged along two mountain ridges shaped like a y, with its tail pointing north. Although it lies directly next to the San Diego Freeway, the Getty Center serves as an island of tranquility amid its urban setting. The Getty Museum is open without charge to the public. Many of its nearly two million visitors a year use its landscape as a public park, a meeting space, and an oasis of quiet.

To link the pavilions to one another and to the surrounding landscape, McGlade and Olin conceived of the Getty as a 20th-century reinterpretation of a classic Italian garden, one with an intimate juxtaposition of gardens and architecture. The Mediterranean climate of Los Angeles influenced their decision, as did the similarities of native plant palettes to those of southern Europe.

And then there was the zone between cultivated gardens and the wild chaparral landscape surrounding the Getty Center. McGlade and Olin looked at classic gardens such as Villa Lante, where the created garden splits the architecture and goes right between the buildings, and they studied Italian hillside.

Early on, Meier had established a inch-square ground-plane grid to bring the campus into a cohesive whole. Stone paving in the various plaza levels, for. Multiples of the grid extend into the hardscape to shape spaces for patios and plazas, seating areas, stairways, planters, fountains, pergolas, and other exterior elements. McGlade and Olin placed 28 pieces of sculpture in this area in a series of outdoor rooms. They are paved in a casual texture of decomposed granite and bordered by an edge of white-flowering crape myrtle trees, intimate and peaceful outdoor gallery spaces designed to promote contemplation or quiet conversation.

Public entrance to the Getty Center campus is carefully sequenced. You arrive at a parking garage at the base of the mountain and proceed up to the Fran and Ray Stark Sculpture Garden. This is your first encounter with the modernist figurative and abstract sculptures in the outdoor art. Leaving the Stark Sculpture Garden, you board an electric tramcar that glides up the mountainside through a forest of oak trees.

The process gives you the opportunity to relax and ease into the experience ahead. Here, the Meier grid extends into the adjacent natural hillside landscape, establishing. The geometry of the grid was easily visible when the trees were first growing. Now, the canopies interlace with one another, forming a gentle greenbelt on the surrounding hillside; as the tramcar proceeds upward, the precision of the planting scheme is perceptible to the visitor as an understory experience.

The Getty Center was constructed with a balance of. These attributes are especially apparent in the mountaintop museum gardens. He understood that multiple uses of specific trees could unify the different levels throughout the campus. This understanding also applied to the use of different trees with harmonizing qualities.

To reinforce that experience, he created a trail of Italian stone pines Pinus pinea that begins at the entrance. The trail stops, and then re-emerges in a natural-looking grove of four pines where visitors disembark at the Arrival Plaza. Growing in only four feet of sand over a parking garage, the grove pines are, nonetheless, now substantial in height and girth. They serve as a signpost to guide you up a set of stairs to the main plaza. A fountain originates in a long runnel on the upper plaza and drops into a void from a basin at the end of the runnel; the water rematerializes below in a grotto modeled on the shape of an amphora; rivulets drip down grotto walls; drawings of amphorae.

At the center, he created another trail of the cultivated plane trees, using three different methods of pruning and shaping to distinguish three different areas within the campus. This area leads to a descending stairway with a cascade of naturally pruned plane trees. Finally, the trail extends into the Central Garden, designed by the artist Robert Irwin, where the trees are shaped. Sycamores native to California Platanus racemosa cluster in a small grove at the entrance near the parking garage and ascend the adjacent canyon, then reappear at the front of the mountaintop museum as a casually sculpted drift that reminds us of the surrounding native landscape.

The maintenance is meticulous. The effect is gorgeous. The second is a fountain that originates in a long stone runnel on the upper plaza. From a basin at the end of the runnel, water drops into a mysterious void, then rematerializes below as rivulets that drip into a giant grotto to run downstream through the middle of the Central Garden.

These include a. The sweet gums disappear from view near the East Pavilion and reemerge in another row of three cultivars below the Exhibitions Pavilion. Microclimates of the two locations are sufficiently dissimilar to extend a brilliant fall foliage display. Another fountain in the Museum Courtyard is long and aligns with the front of the Exhibitions Pavilion. It features a line of Montezuma bald cypress Taxodium mucronatum. Native to the swamps of Texas and Mexico, the trees, 40 feet high, are planted in just four feet of sand and precisely pruned to feathery perfection.

Stone paving in the various plaza levels uses the Meier grid to organize outdoor spaces and achieve an architectural link to the stone walls of otherwise unconnected pavilion exteriors. This tapestry of bold textures is underplanted The South Promontory of the campus, located with blue-gray Senecio and redon the southern tip of the eastern ridge top, flowering Kalanchoe.

The design offers a dramatic contrast. The planting design is also meant to tell the ecological in this section explicitly recognizes the harsh story of the site. Using pulling the curtain back to see a little bit of the cacti and succulents, McGlade continued his truth. It reaches promontory features cactus and succulents from out toward the downtown Los Angeles skyline, a the Western Hemisphere.

Here, McGlade cre- testament to both the fragility and the resilience ated a breathtaking abstract composition of of the chaparral landscape. The Getty Center gardens also provide a glimpse of the astonishing success. Your lines matter to us because they matter to you. And, more optimistically, what new propositions, pedagogies, and disciplinary alignments are necessary to overcome these narrow worldviews and begin to engage the phenomenon of urbanization in a more compelling and realistic way?

These aspects of the book are complemented by an account of the accompanying epistemological shifts brought about by new understandings of complexity and ecology as well as a resurgence of the importance of geography, and all of these facets add up to a convincing challenge to many of the ideological positions that continue to dominate the planning, design, and engineering of urbanism today. This new approach is.

The book begins with What is perhaps less explicit is how landscape as infrastructure is actually defined or practiced, but I think this is in part owing to the expectation that. Graphic timelines such as this one showing the evolution of the agronomic landscape demonstrate the synthetic capacity of designers to embrace complexity rather than suppress it.

This is arguably the most significant takeaway for a discipline such as landscape architecture that continues to privilege projects that some would call high design and which are often characterized by their discrete site boundaries, exquisite materiality and detailing, and preferably ample budgets. But despite what may at times seem to be the daunting inertia of landscape and urbanism—especially in North America—I would argue that there is much to be optimistic about as well, given the innovative new landscape architecture firms now experimenting with a variety of landscape infrastructures and new generations of academics that are finding creative ways to educate across a spectrum of practices from high design to landscape as infrastructure.

Landscape as Infrastructure proLandscape as Infrastructure is a compelling addition to a vides a new optic through which to see advances along these growing body of literature that challenges simplistic notions lines that are already here but not fully understood, as well about the city, or more accurately, urbanization. The book as a new foundation from which to bring others into being. Hillary Brown and Byron Stigge address this problem by presenting an array of programs already working in communities around the world.

In it, the authors detail alternative energy sources including solar technology in South Africa and India, wastewater power in Burundi, and stream-powered energy in Nepal. A bench is much more than a place to sit. Benches are guideposts through the garden, they are markers of social status, and they are even political statements, he says. This book examines great benches in history there are more than you might think and their representation in literature and, especially, art.

What part can landscape architects play in building a sustainable future? Recall the inception of healing gardens and the studies that led to their creation. Describe the goals of a successful healing garden and some of the garden elements that support these goals.

Summarize the considerations for designing shade and seating for a healing garden. Identify the fabric selection considerations for both shade and seating elements. Learn more about the role of fabric for shade and seating in healing gardens by completing this continuing education course and passing the free test at sunbrella. Reuse Revive Repopulate by Rafael Dualibe dos Santos envisions reusing an old building with a fallen-in roof as a community park.

A frame shade structure emulates cloud formations to provide shaded areas of varying densities. Cooling Tower by Carlos Cuenca Solana is a bottle-shaped shade structure that provides a shaded space with natural ventilation powered by a color gradient on the fabric covering. Healing gardens are best designed to improve mental, physical and social well-being when they facilitate a sense of control and access to privacy, encourage social support and exercise, and give users a means to spend time in nature.

Performance fabric shade structures and seating offer many options in how gardens are used and the level of privacy they provide. Group interaction, private conversation or quiet observation can all be accommodated in comfort when appropriate fabric shade structures and seating are selected.

The human connection with nature is a bond that can foster healing to restore the balance; early medical practitioners understood this. In the s in both Europe and America, pavilion-style hospitals were commonly designed with gardens for the patients to use. Discover by Enrique Ramirez and Alessandra Farias is a circular shade pavilion with spaces for gatherings and solitary meditation with small perforations and large openings that allow light and shade to change shape as the sun traverses the sky.

Those involved in caring for the sick intuitively understood that views and access to nature were therapeutic, even though they did not understand why. This design, combined with an environment in which patients have little choice or control, led to a setting that did nothing to calm patients, reduce stress or meet the emotional needs of not only patients, but also families and staff.

Economic factors pushed this movement forward as competition between healthcare providers grew, and patients had more choices among hospitals and assisted living facilities. Healthcare organizations are now moving toward a holistic approach to treating the patient, taking the needs of family members and staff into consideration as well. Even pictures of landscapes can soothe. Another study by Ulrich at Uppsala University Hospital in Sweden provided heart surgery patients with either a simulated window view showing a photo of a stream or a forest; abstract paintings; a white panel; or a blank wall.

Since these studies, many more have shown that exposure to healing gardens reduces patient levels of pain and stress. This may in turn boost the immune system and allow the body and other treatments to help. A welldesigned healing garden can help to restore the balance of physical, mental and social well-being, and in this sense, it can facilitate healing in anyone who uses it, not just patients.

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